Curriculum Vitae


MFA in Creative Writing from the University of New Hampshire

BA in History from the University of Massachusetts, Magna Cum Laude


Rosetta (Ex Ophidia, 2021)

Proof (Codhill Press, 2014)

The Bees Are Waiting (Marick Press, 2012)

Books in Translation

Tomates de septembre: New and Selected Poems (Bilingual French-English, Cheyne-éditeur, 2020)

Awards & Fellowships

For Rosetta: Winner of the Ex Ophidia Poetry Prize; Finalist for the New American Poetry Prize, the Hollis Summers Poetry Prize, the Hillary Gravendyk Prize, and the Sheila Margaret Motton Book Prize; Semi-Finalist for the Philip Levine Prize for Poetry

For Proof: Winner of the Codhill Poetry Award; Finalist for the National Poetry Series and the Nightboat Press Poetry Prize; First Runner-Up for New England Book Festival; Semi-Finalist for the Akron Poetry Prize and the Felix Pollack Prize

For The Bees Are Waiting: Winner of the Marick Press Poetry Prize, the Eric Hoffer Award, the First Horizon Award; Named a Must-Read by the Massachusetts Center for the Book; Finalist for the T.S. Eliot Prize, the May Swenson Poetry Award, and the Del Sol Press Poetry Prize; Semi-Finalist for the Hudson Prize and the Crab Orchard Series in Poetry

Massachusetts Cultural Council Artist Fellowship

Barbara Bradley Poetry Prize

2014 Emerging Writer Fellowship, The Writer’s Center, Bethesda MD

Dick Shea Memorial Award for Poetry, University of New Hampshire

Chancellor’s Scholarship for Excellence in Creative Writing, University of Massachusetts

Arts & Letters PRIME Poetry Prize Finalist


Without a Doubt: Poems Illustrating Faith (NYQ Books, 2021)

Koncert w Domu Chopina: Antologia poezji i prozy autorów polsko-amerykańskich (Concert at Chopin’s House: Poetry and Prose by Polish-American Authors) (Śląsk, 2019)

IMPRIMO: The Time Anthology (Artificium, 2017)

Nature Poetry: An International Anthology of Poems on the Natural World (Z Publishing, 2016)

If Bees Are Few: A Hive of Bee Poems (University of Minnesota Press, 2016)

The Doll Collection (Terrapin Books, 2016)

Stories of Music (Timbre Press, 2015)

Winged: New Writing on Bees (Poulin Publishing, 2014)

Readings and Speaking Engagements

Featured speaker at Les Lectures sous l’Arbre (Readings Under the Tree) poetry festival organized by Cheyne editions in Le Chambon-sur-Lignon, France.

Panelist and reader at the La Guagua Community Poetry Festival: Voices and Translations, Middlesex Community College

Panelist at the New Hampshire Poetry Festival on the theme Wild and Holy: Encountering the Sacred through Poetic Engagement with the Natural World

Massachusetts Poetry Festival

Amherst Arts Walk, Emily Dickinson Homestead, Amherst, MA

Dickinson Memorial Library, Northfield MA

Yiddishkayt Culture Salon, Los Angeles CA

The Writer’s Center, Bethesda MD

Featherstone Center for the Arts, Oak Bluffs, Martha’s Vineyard MA

Kleinert/James Center for the Arts, Woodstock NY

Concord Public Library, Concord MA

Visiting Writer, State University of New York, New Paltz

The Blacksmith House Poetry Series, Cambridge MA

Interview and reading on San Francisco Bay Area public radio station KKUP’s weekly poetry program, Out of Our Minds

Creative Writers Reading Series at Penn State Erie

Massachusetts Library Association Annual Conference, Boston

Collected Poets Series, Shelburne Falls MA

Amherst Poetry Festival: Poetry from the Jones Library, Amherst MA

Wayland Public Library Reading Series, Wayland MA

AGNI reading at Harvard’s Yenching Library

Featured reader at University of New Hampshire’s AlumFest

RiverRun Bookstore, Portsmouth NH

Portsmouth Public Library Reading Series, Portsmouth NH

Journal Publications: Poetry

AGNI: “Dog Adrift: Poland, January 2010,” “My People,” “The Noodle Maker’s Shop”; American Letters & Commentary: “Feathers”; The American Poetry Journal: “Bread,” “Buttonwood Park Zoo,” “Tailed”; “Bad Honey”; Artful Dodge: “Visitors”; Arts & Letters: “Beautiful World,” “Snake”; Atlanta Review: “Wedding Ring”; Barnstorm: “Glowing in the Dark,” “Guardian,” “Moroshka”; Barnwood: “Paintbrush”; Bellevue Literary Review: “Martin, 1918”; Blueline: “Fingers,” “Three Secrets”; Boulevard Magazine: “Red Sweater”; caesura: “Blue Teapot”; The Café Review: “Closer,” “Elephant,” “Evelyn,” “Punishing Snows,” “Window Watching at Midnight”; Cairn: “Cut Flowers”; Cider Press Review: “All Hallows’ Eve,” “Maps”; Cimarron Review: “the original wind has not yet”; The Cincinnati Review: “The Globe”; Cold Mountain Review: “Binoculars,” “The Watch Repairman’s Daughter”; Columbia Poetry Review: “In Memory,” “Marina Tsvetaeva Home Museum”; The Comstock Review: “Last Night,” “Wisdom”; Connecticut Review: “Pencil”; Connotation Press: “From the Deck,” “Planet Kepler 22B,” “Sand,” “Sounding,” “Sunbeam Bread”; Constellations: “Frame,” “Gesture,” “Shape”; Contrary: “Carving,” “Holy Water,” “In a Certain Light,” “Morning Ritual,” “Postcards from a Cold Place,” “Red Giant Leap,” “The Maintenance of Public Order,” “Tools”; Copper Nickel: “Closer,” “In its Body”; Crab Creek Review: “Émigré,” “Messenger”; Cream City Review: “Eve of the Theophany,” “Ruins”; The Cumberland River Review: “Cold April,” “Small Hands”; Delmarva Review: “She Waits”; DMQ Review: “The Invisible”; Drunken Boat: “Dangerous”; Ecotone: “Animal,” “September Tomatoes,” “Street Food in Beijing”; Etchings: “Handed Down,” “Perseids”; The Evansville Review: “Statue”; Faultline: “Swimming Out”; Fourteen Hills: “The hailstones bit,” “Paradise Farms”; The Fourth River: “Blue Heart”; Frogpond: “New”; Green Mountains Review: “Siberian Cherries”; The Greensboro Review: “What Was Left”; Half Drunk Muse: “Swallow”; Hanging Loose: “Armadillo,” “Catch,” “Caw,” “Cuckoo Clock”; Harpur Palate: “Farmer’s Bees,” “Sanctuary”; Hayden’s Ferry Review: “Medicine”; Humana Obscura: “Fur”; Hunger Mountain: “Icons: Charo,” “Icons: Tiny Tim”; Indiana Review: “Frozen Blood”; Iron Horse Literary Review: “Habitat”; Kestrel: “Catching Fire,” “Message”; Lake Effect: “Basket,” “The Seeded Eye,” “Walking at Midnight,” “Victory Day”; Lilliput Review: “The Expression of Rain”; The Literary Review: “Mystery Piano Found Deep in Cape Cod Woods,“ “Long Time,” “Neon”; Little Patuxent Review: “One Hundred Million-Year-Old Spider Attack Recorded in Amber”; Make: A Chicago Literary Magazine: “Folk”; Many Mountains Moving: “Nocturnes”; Memorious: “Overtime”; Mid-American Review: “Antarctica,” “Beetle”; The Midwest Quarterly:Idea of Poppies,” “Memory,” “One Bright Thing”; Minnetonka Review: “Amaryllis,” “Gathering,” “Repairs”; MiPOesias: “Icons: Iggy Pop on The Dinah Shore Show, “My Salt,” “The Horse’s Neck”; Modern Haiku: “The dog”; Molecule: “Sub-Zero”; Natural Bridge: “Cut Hair,” “Regret,” “A Small Notebook,” “Observatory”; New Madrid: “Colt,” “Egg”; New Ohio Review: “Midnight Train”; New York Quarterly: “New Bedford”; Nimrod International Journal: “Edges,” “New Word,” “Rosetta,” “Vermeer’s Lacemaker”; Notre Dame Review: “Circle”; One Sentence Poems: “Bridge Work”; Phoebe: “Black Earth,” “Cinema / Verity”; Pilgrimage: “Wild Yeast”; Pirene’s Fountain: “Fallen”; Pleiades: “Canes”; Plume: “Albatross”; Poet Lore: “Daylight Savings Time,” “Kitchen Catechism,” “Saw”; Poetry East: “The Palmer Method”; Poetry Northwest: “Frozen Boot”; Qarrtsiluni: “Fist,” “Rubber”; Rattle: “Soap”; REAL: Regarding Arts and Letters: “At the Spice Market,” “Bookshop Biblio Globus,” “Reading Madame Bovary,” “The Wound,” “To Metacomet, King of the Wampanoags”; RHINO: “Fourth of July”; Ruminate Magazine: “Down Here,” “One Chance”; The Saint Ann’s Review: “Boat Building,” “The Visit”; Salamander: “The Only Story”; Salt Hill: “Wheat”; The Scream Online: “Elegy for Jane”; Shenandoah: “Wreck”; Small Spiral Notebook: “The Taxidermist’s Display Case”; So to Speak: “Breaking the Fast”; Sou’wester: “Natural Histories”; Spillway:Daffodils,” “The Back-Up Singer”; The Southern Review: “Escape,” “Icons: Rose Marie on The Dick Van Dyke Show,” “Miniature,” “Moose,” “Proof,” “Reading Anna Karenina, “Roots,” “Shadows”; The Sow’s Ear Poetry Review: “Blake”; The Spoon River Poetry Review: “Apparition,” “Her Last Free Dive,” “Into November”; St. Petersburg Review: “Nimbostratus”; Tuesday; An Art Project: “Country Road”; Two Review: “Elegy,” “The True Measure”; Upstreet: “Emily’s Dress”; Vallum: “Meant To Be”; Valparaiso Poetry Review: “The Old Country,” “Genie the Imprisoned Child”; Water~Stone Review: “Bone Flute,” “Brush and Ink Herd of Horses”; Wild Apples: “Opening,” “The Way Back”

Journal Publications: Essays & Reviews

The Inquisitive Eater: “An Offering”

Entropy: Andrea Cohen’s Everything

New Pages: “Boundless Energy in Yi Lei’s Poetry”

Translation Times, UMass Amherst Translation Center: “Translating Emily Dickinson”

Editing, Judging, and Manuscript Review

Member of ACES: The Society for Editing; previously served as Intern Poetry Editor at The Paris Review and language editor at Russian Academy of Sciences Nauka/Interperiodica

Manuscript reader for the Perugia Press Book Prize; judged SUNY New Paltz’s Creative Writing Award in Poetry and Penn State Erie’s Sonnenberg Poetry Award


Academic Resource Specialist and writing mentor at Springfield College (5 years); composition instructor at the University of New Hampshire (2 years); writing tutor at the University of Massachusetts (2 years)

Visiting Writer:  Poetry workshop at the State University of NY, New Paltz

Poet in the Schools:  Creative writing instruction. Schools include Friends Academy in South Dartmouth and Community School in Amherst, MA (1 year)

English as a Second Language Instructor at the Jones Library ESL Center/Amherst; Language Link/Moscow; the American English School/Vilnius; Jewish Family and Children’s Service/Boston; Fall River Social Services/Fall River MA; and the University of Massachusetts (15 years)